https://margaretevangeline.com Margaret Evangeline Wed, 13 Mar 2019 20:24:46 +0000 https://margaretevangeline.com en https://margaretevangeline.com/Mobile-Menu Thu, 07 Mar 2019 20:48:40 +0000 Margaret Evangeline https://margaretevangeline.com/Mobile-Menu —Work &nbsp; &nbsp; Bio&nbsp; CV&nbsp; Events&nbsp; Books &nbsp; &nbsp; Press —︎︎ &nbsp; https://margaretevangeline.com/Featured-Artwork-Text Thu, 07 Mar 2019 20:48:41 +0000 Margaret Evangeline https://margaretevangeline.com/Featured-Artwork-Text Margaret Evangeline is a New York-based, Louisiana-born painter, video, performance and installation artist. Her new work is both inspired by and reflects on her Louisiana background, employing the American vernacular of guns and their marks.&nbsp; Evangeline’s post minimalist work explores societal minutiae, temporality and the unsaid.&nbsp;Featured here: The Fifth love letter, Heloise to Abelard, 2018, Acrylic and oil on Canvas, 72 x 96 in https://margaretevangeline.com/Home-Page-Divider Thu, 07 Mar 2019 22:25:33 +0000 Margaret Evangeline https://margaretevangeline.com/Home-Page-Divider https://margaretevangeline.com/Artworks-in-Situ Thu, 07 Mar 2019 20:48:48 +0000 Margaret Evangeline https://margaretevangeline.com/Artworks-in-Situ Artworks in Situ <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/c69de87994a6b38cc407dd456e25e558b2d747e3171883413fcda67b65efd7ad/ef130918_397.jpg" data-mid="37098994" border="0" alt="Architectural Digest" data-caption="Architectural Digest" src="https://freight.cargo.site/w/640/i/c69de87994a6b38cc407dd456e25e558b2d747e3171883413fcda67b65efd7ad/ef130918_397.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/001f891acaee88b703ba71ad66ab489a75dc27d6c021d85dd864542b3de2ad01/ef130918_217.jpg" data-mid="37098992" border="0" alt="Architectural Digest" data-caption="Architectural Digest" src="https://freight.cargo.site/w/640/i/001f891acaee88b703ba71ad66ab489a75dc27d6c021d85dd864542b3de2ad01/ef130918_217.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/61a92c53cf433448da34d561cb02701f3824d0d129584592502c90db8f2f78c0/ef130918_289.jpg" data-mid="37098991" border="0" alt="Architectural Digest" data-caption="Architectural Digest" src="https://freight.cargo.site/w/640/i/61a92c53cf433448da34d561cb02701f3824d0d129584592502c90db8f2f78c0/ef130918_289.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/e0a8cfeeee0c0ab0d27f9cb522d93149ad7bbf88d69e2da13a5f0d2c487d042c/ef130918_125.jpg" data-mid="37098993" border="0" alt="Architectural Digest" data-caption="Architectural Digest" src="https://freight.cargo.site/w/640/i/e0a8cfeeee0c0ab0d27f9cb522d93149ad7bbf88d69e2da13a5f0d2c487d042c/ef130918_125.jpg" /> <img width="700" height="525" width_o="700" height_o="525" data-src="https://freight.cargo.site/t/original/i/77733a4e6cdf7eb536dc69fa8d3c43986a22d30ec784b9a559efbabf1a098d49/RedResurrection.jpg" data-mid="37098982" border="0" alt="Red Resurrection, Knoxville Museum of Art, Permanent Collection" data-caption="Red Resurrection, Knoxville Museum of Art, Permanent Collection" src="https://freight.cargo.site/w/700/i/77733a4e6cdf7eb536dc69fa8d3c43986a22d30ec784b9a559efbabf1a098d49/RedResurrection.jpg" /> <img width="700" height="459" width_o="700" height_o="459" data-src="https://freight.cargo.site/t/original/i/a76735e7fda8bca05ef5ab0d6a031f79b29889b80a75e6a1528fe3acca29029e/DSC_0293_web.jpg" data-mid="37098983" border="0" alt="Private Collection, Michigan" data-caption="Private Collection, Michigan" src="https://freight.cargo.site/w/700/i/a76735e7fda8bca05ef5ab0d6a031f79b29889b80a75e6a1528fe3acca29029e/DSC_0293_web.jpg" /> <img width="700" height="525" width_o="700" height_o="525" data-src="https://freight.cargo.site/t/original/i/00fe1f8ccbe470b1bcc5e9506ea417fd52c962b2cbdf7166a11c06e7cd6e05d1/Portrait.jpg" data-mid="37098984" border="0" alt="Margaret Evangeline with Star Cloud" data-caption="Margaret Evangeline with Star Cloud" src="https://freight.cargo.site/w/700/i/00fe1f8ccbe470b1bcc5e9506ea417fd52c962b2cbdf7166a11c06e7cd6e05d1/Portrait.jpg" /> <img width="700" height="467" width_o="700" height_o="467" data-src="https://freight.cargo.site/t/original/i/5adbb6e5c7eadf441e05ab8f2a2afd96c849ae8ea7eab132840cf2664f44f918/IMG_0720-1.jpg" data-mid="37098988" border="0" alt="Private Collection, NYC" data-caption="Private Collection, NYC" src="https://freight.cargo.site/w/700/i/5adbb6e5c7eadf441e05ab8f2a2afd96c849ae8ea7eab132840cf2664f44f918/IMG_0720-1.jpg" /> <img width="700" height="495" width_o="700" height_o="495" data-src="https://freight.cargo.site/t/original/i/9e37dd8fbe0249dcc6e3a7a28e508fa336b075d6482432f20276be1462916933/Camellia-Boutique-shots.jpg" data-mid="37098986" border="0" alt="Camellia Chanel" data-caption="Camellia Chanel" src="https://freight.cargo.site/w/700/i/9e37dd8fbe0249dcc6e3a7a28e508fa336b075d6482432f20276be1462916933/Camellia-Boutique-shots.jpg" /> <img width="700" height="525" width_o="700" height_o="525" data-src="https://freight.cargo.site/t/original/i/b725b3e63522cdca01d2fcd343c0716401807c55584e994576f38bee71e35d28/DSCN0020_Morris-Museum.jpg" data-mid="37098985" border="0" alt="Morris Museum, Permanent Collection" data-caption="Morris Museum, Permanent Collection" src="https://freight.cargo.site/w/700/i/b725b3e63522cdca01d2fcd343c0716401807c55584e994576f38bee71e35d28/DSCN0020_Morris-Museum.jpg" /> <img width="1000" height="591" width_o="1000" height_o="591" data-src="https://freight.cargo.site/t/original/i/3e226c66c6be4926c3ff38da867a74546b75ca2b9b3ce831b5766dcbc0e457f7/Almost-Saint-Installation-View.jpg" data-mid="37098987" border="0" alt="Almost Saint view" data-caption="Almost Saint view" src="https://freight.cargo.site/w/1000/i/3e226c66c6be4926c3ff38da867a74546b75ca2b9b3ce831b5766dcbc0e457f7/Almost-Saint-Installation-View.jpg" /> <img width="2592" height="1936" width_o="2592" height_o="1936" data-src="https://freight.cargo.site/t/original/i/a0cd2968b24cac0027dab9f0bbb45f8aa3f590f1291dd0e9b197a459ea6ccc50/photo-1.jpg" data-mid="37098989" border="0" alt="McNay Museum, Permanent Collection" data-caption="McNay Museum, Permanent Collection" src="https://freight.cargo.site/w/1000/i/a0cd2968b24cac0027dab9f0bbb45f8aa3f590f1291dd0e9b197a459ea6ccc50/photo-1.jpg" /> <img width="700" height="467" width_o="700" height_o="467" data-src="https://freight.cargo.site/t/original/i/ffd7abd014b0d3ce5b09ec3eccbe9c236cd53d8583e0b2dcfe5637351f4bf495/120214_EJ_starrett_0290-1.jpg" data-mid="37098990" border="0" alt="Chelsea studio" data-caption="Chelsea studio" src="https://freight.cargo.site/w/700/i/ffd7abd014b0d3ce5b09ec3eccbe9c236cd53d8583e0b2dcfe5637351f4bf495/120214_EJ_starrett_0290-1.jpg" /> https://margaretevangeline.com/Work-1 Wed, 13 Mar 2019 20:24:46 +0000 Margaret Evangeline https://margaretevangeline.com/Work-1 Work <img width="1200" height="805" width_o="1200" height_o="805" data-src="https://freight.cargo.site/t/original/i/3b314471fd484b3f0813d76baddc395235966b0866ba96edaf2776c19de96bad/ME154_Life_Came_Breaking_In_As_Usual_2012_o_c_72x108.jpg" data-mid="51033831" border="0" alt="Larger Paintings" data-caption="Larger Paintings" src="https://freight.cargo.site/w/1000/i/3b314471fd484b3f0813d76baddc395235966b0866ba96edaf2776c19de96bad/ME154_Life_Came_Breaking_In_As_Usual_2012_o_c_72x108.jpg" /> <img width="963" height="961" width_o="963" height_o="961" data-src="https://freight.cargo.site/t/original/i/06c2b926287ab1d610fda512bf589d1fb89ed501bec45e95c55527c69719b0ef/Totem-Camellia-3_2018_a-o-c_60x60in_margaret-evangeline.jpeg" data-mid="37567343" border="0" alt="Paintings" data-caption="Paintings" src="https://freight.cargo.site/w/963/i/06c2b926287ab1d610fda512bf589d1fb89ed501bec45e95c55527c69719b0ef/Totem-Camellia-3_2018_a-o-c_60x60in_margaret-evangeline.jpeg" /> <img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/c0897fb45f14366ab2fb43eb990e6238650f3a0e9be0abe049642ec62352fecb/Luminista--13_o.jpg" data-mid="37567331" border="0" alt="Metal" data-caption="Metal" src="https://freight.cargo.site/w/500/i/c0897fb45f14366ab2fb43eb990e6238650f3a0e9be0abe049642ec62352fecb/Luminista--13_o.jpg" /> <img width="700" height="465" width_o="700" height_o="465" data-src="https://freight.cargo.site/t/original/i/b8bddd312db746d1df668713d5393a4c0567a12dd1a5eb9a0d87a3f207d37165/gunshot_landscape_fall_o.jpg" data-mid="37567333" border="0" alt="Installations" data-caption="Installations" src="https://freight.cargo.site/w/700/i/b8bddd312db746d1df668713d5393a4c0567a12dd1a5eb9a0d87a3f207d37165/gunshot_landscape_fall_o.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/440972f8ec707287c2ef00628edf1fc5212d39c4002309636d26546f7057e1af/ef130918_397.jpg" data-mid="37567340" border="0" alt="Artworks in Situ" data-caption="Artworks in Situ" src="https://freight.cargo.site/w/640/i/440972f8ec707287c2ef00628edf1fc5212d39c4002309636d26546f7057e1af/ef130918_397.jpg" /> <img width="400" height="216" width_o="400" height_o="216" data-src="https://freight.cargo.site/t/original/i/8c88f3c5e5b9ac58f63879c2dd1753af37684ecab66f09de43d89438c6e27116/Screen-Shot-2019-03-04-at-5.57.57-PM.png" data-mid="37567341" border="0" alt="Video" data-caption="Video" src="https://freight.cargo.site/w/400/i/8c88f3c5e5b9ac58f63879c2dd1753af37684ecab66f09de43d89438c6e27116/Screen-Shot-2019-03-04-at-5.57.57-PM.png" /> https://margaretevangeline.com/Bio Thu, 07 Mar 2019 20:48:42 +0000 Margaret Evangeline https://margaretevangeline.com/Bio Biography <img width="1200" height="850" width_o="1200" height_o="850" data-src="https://freight.cargo.site/t/original/i/73495008d19f92fa940538e8a4c4d042c913e99190fb83fbb5c4b532dbc06362/profile-photo_018.jpg" data-mid="37098934" border="0" alt="Portrait of Margaret Evangeline in Studio by Sarah Escarraz" data-caption="Portrait of Margaret Evangeline in Studio by Sarah Escarraz" src="https://freight.cargo.site/w/1000/i/73495008d19f92fa940538e8a4c4d042c913e99190fb83fbb5c4b532dbc06362/profile-photo_018.jpg" />Portrait of Margaret Evangeline in Studio by Sarah Escarraz Margaret Evangeline is a contemporary painter, sculptor, and installation artist who lives and works in New York City. Born in 1943 in Baton Rouge, Louisiana, Evangeline’s Cajun grandfather taught her the ways of the family farm from a young age, bringing her along to the cotton gin when the crop came in, and teaching her how to shoot, ride, and fish. As a child Evangeline absorbed these traditions, but even as she immersed herself in the south, a vision was already forming in her of a future as an artist in New York City.By the time she was twenty, however, Evangeline had married and left Louisiana State University to live in Big Spring, Texas with her new husband, a pilot in training at Webb Air Force Base. The odyssey that followed continues to inform her work today. While the practice of painting remained an active passion for Evangeline, her family was growing quickly and she raised her three children while moving around the US before finally settling in New Orleans. It was there that Evangeline’s nascent artistic career took root. By 1978 she had become the first female recipient of an MFA in Fine Arts from the University of New Orleans.<img width="900" height="252" width_o="900" height_o="252" data-src="https://freight.cargo.site/t/original/i/bb58148ab0303e1fdd354d9afdf3d6a9fd1b90a3c25e242a7acda8d3d61af540/ME_Sig.jpg" data-mid="37456011" border="0" src="https://freight.cargo.site/w/900/i/bb58148ab0303e1fdd354d9afdf3d6a9fd1b90a3c25e242a7acda8d3d61af540/ME_Sig.jpg" />With her degree complete and a newfound artistic community to support her, Evangeline set out on the path that ultimately led her to New York City and to her career as a renowned contemporary artist. She began exhibiting at Galerie Simonne Stern and teaching at Delgado Community College, where she pioneered the school’s first fine arts program. It was during this time that Evangeline’s interest in using unconventional and aesthetically resistant materials emerged in her painting, a technique that has come to define her formal practice. Evangeline began creating large-scale abstract oil paintings on canvas, layering crystallina, flocking, and other cultural detritus with her oil paints. Working during the Persian Gulf War, Evangeline created a body of paintings that were intended as a response to the political turmoil internationally at hand, and the social issues particular to the environment of New Orleans. These works were the first in a long line of paintings and sculpture that Evangeline created to reflect on the cultural climate of our times.In 1992 Evangeline had her first show in New York City, a solo exhibition curated by Elizabeth Moore Fine Arts in conjunction with Res Nova Gallery, a recent New Orleans transplant at the time. The exhibition was well received and went on to garner a particularly insightful review by Eleanor Heartney in Art in America. This experience had a profound effect on Evangeline and ultimately led her to permanently relocate to New York, where she continues to live and work today.It was upon settling in Manhattan that Evangeline was able to begin processing the impact of the south on her work, and experimenting with the way in which location affected her practice. Today, the experience of growing up in the south has come to define her work as an artist. During a residency at Art OMI in 1999 Evangeline borrowed a rifle from a local farmer and fired a single shot through a piece of metal. While for her grandfather shooting had been a means of survival, for Evangeline the process of shooting served as a direct line from her life in contemporary art to his experience, and that of his ancestral lineage of explorers, traders and gunsmiths. The long, circuitous history of Evangeline’s Acadian forebears, through the Hudson Bay down to Louisiana, forms a rich backdrop for her reflections upon and responses to current political questions, especially those centered on the gun. In 2002, during a residency at the Santa Fe Art Institute dedicated to supporting artists affected by 9/11, Evangeline began to further explore the act of shooting. Confronted by the vastness of the landscape and mired in the unanswerable questions left in the wake of the national tragedy, Evangeline began shooting holes in giant aluminum panels, engaging the landscape of the place through the absence she had created in the works, thereby finding a language to explore the collective loss the country was feeling. Evangeline has since gone on to create a stunning collection of shot metal sculptural works and large-scale installations that provide an abstract reflection on collective memory, loss, growth, and the passage of time. In addition to solo and group exhibitions at notable institutions internationally, public installations of Evangeline’s work are in place around the world. In 2004 she received her first commission to create a site-specific work for the permanent collection of The Fields sculpture park at Art Omi near Ghent, New York. There, drawing on the tradition of shooting road signs in rural areas, Evangeline constructed a double-sided, mirror-polished stainless steel panel that she shot with a .22 caliber rifle. The work, which reflects the landscape, draws on the notion of place, reality, and space as a medium, as visitors are confronted by both ethereal distortions of their surroundings and focused glimpses of the material place itself within the bullet holes on the piece’s mirrored surface. Evangeline further elaborated on the notion of space in a 2008 commission by Illuminate Productions, for which she created a site-specific installation on the River Thames, opposite the Tate Modern in London. The work, Saved from the Waters, was a fifteen by thirty-foot floating sculpture that featured reflective steel transpierced with gunshot, memorializing the pleasure boat Marchioness, which sank on the Thames over thirty years before.Evangeline’s work was most recently featured in the solo exhibition Sabachthani, which opened in 2014 at Michigan State’s new Eli and Edythe Broad Museum of Art. Evangeline began creating Sabachthani in 2011 as a collaboration with her son, then a lieutenant colonel stationed at a US Air Base in Balad, Iraq. Conceived of as a way to comprehend and process the war, Sabachthani features a series of metal bars which Evangeline mailed to her son and his unit in Iraq, during the year that preceded the withdrawal of the troops. These active-duty soldiers shot through the bars using military ballistics before sending them back to Evangeline, creating a figurative dialogue between Americans and their distant war. Today, Evangeline continues to expand upon this process, creating large and small-scale gunshot works using materials related to American labor and culture as well as exploring new modes of mark making in her diverse and ever-evolving practice. https://margaretevangeline.com/CV Wed, 13 Mar 2019 19:06:03 +0000 Margaret Evangeline https://margaretevangeline.com/CV &nbsp;CV ︎Download as pdf Born &nbsp; &nbsp;1943, Baton Rouge, LA &nbsp;&nbsp; Education&nbsp; &nbsp; 1978MFA, University of New Orleans 1975BA, University of New Orleans&nbsp;&nbsp; &nbsp;&nbsp; Selected Solo Exhibitions 2024Ferrara Showman Gallery, Inner Gardens, New Orleans, LA2021Erin Cluley Gallery, &nbsp;A Light Between Leaves, Dallas, TX Elizabeth Moore Fine Art, Fleshy Oily, Deep and Dense, Hudson, NY 2020 Brenau University, House and Universe, Gainesville, GA 2019The Gilded Owl, Bringing It Forth, Hudson, NY &nbsp;Weinberger Fine Art, In Beauty There Is Guilt II, Kansas City, M&nbsp; Kim Foster Gallery, The Otherness of Objects, New York, NY 2018Jonathan Ferrara Gallery, Eight Love Letters, Heloise to Abelard, New Orleans, LA &nbsp;Joyce Goldstein Gallery, A Feeling for Paint, Chatham, NY 2017Dune Showroom, Time's Curvature, New York, NY 2016Kim Foster Gallery, Gravitational Waves, New York, NY &nbsp;Jonathan Ferrara Gallery, The Invisible Side of the Universe, New Orleans, LA&nbsp; &nbsp;Weinberger Fine Art, In Beauty There Is Guilt, Kansas City, MO 2015Jonathan Ferrara Gallery, Gallery Premiere, New Orleans, LA &nbsp;Octavia Street Gallery, Camellias, Houston, TX &nbsp;Stux + Haller, An Injured Armory, New York, NY &nbsp;LSU Museum of Art, Shaw Center for the Arts, Margaret Evangeline: On War, Baton Rouge, LA 2014Eli and Edythe Broad Art Museum, Sabachthani, Lansing, MI &nbsp;Weber Fine Art, Anatomies of a Flower, Greenwich, CT &nbsp;Weber Fine Art, Anatomies of a Flower, Scarsdale, NY 2013Callan Contemporary, At First We Thought We Were Drowning, New Orleans, LA &nbsp;Stux Gallery, Anatomies Of A Golden Calf, New York City 2012Heriard-Cimino Gallery, Dreaming In Quicksilver, New Orleans, LA &nbsp;Kim Foster Gallery, As-If, New York City &nbsp;Stux Gallery, Timebomb, New York City &nbsp;Bertrand Delacroix Gallery, Everyday Magic, New York City &nbsp;Eleanor D. Wilson Museum of Art, Bayous and Ghosts, 2-person with Hunt Slonem, Roanoke, VA &nbsp;Butters Gallery, Recklessly Blooming, Portland, OR 2011Cohn Drennan Contemporary, Steel, 2 person with Suguru Hiraide, Dallas, TX 2010Heriard-Cimino Gallery, Writing to Alexandrie, New Orleans, LA 2009Elizabeth Moore Fine Art, Hot House, New York, NY &nbsp;DTR Modern, Distinct Conceptual Voices, Boston, MA &nbsp;HPGRP Gallery, A Feeling in My Bones, New York, NY &nbsp;Olin Gallery of Roanoke College, Margaret Evangeline Paintings and Video, Salem, VA 2008The Ogden Museum of Southern Art, Silver Bullets and Holy Water, New Orleans, LA &nbsp;Byron Roche Gallery, Chicago, IL &nbsp;DTR Modern, Steel Canvas, Boston, MA &nbsp;750 7th Avenue Exhibition Lobby Margaret Evangeline: Large Paintings and Works on Metal (1998-2006), Curator, Helen Varola, New York, NY 2007KK Projects, (AMERICA), New Orleans, LA &nbsp;Heriard-Cimino Gallery, Fixing the Attitude in a Slightly Forward Leaning Position, New Orleans, LA &nbsp;Stux Gallery, Ricochet: The Prodigal Daughter, New York, NY &nbsp;The Rose Art Museum, Papertrail 1, Waltham, MA &nbsp;HP Garcia Gallery, Sensory Thresholds, A Decade of Painting, New York, NY Bergdorf Goodman, Startpoints, New York, NY 2006C. Grimaldis Gallery, Too Pure Water, Baltimore, MD &nbsp;Chiaroscuro Gallery, Margaret Evangeline, New Work, Scottsdale, AZ &nbsp;Cheryl McGinnis Gallery, Absence &amp; Presence: Margaret Evangeline &amp; Stephanie Hightower, New York, NY &nbsp;Byron Roche Gallery, Tango, Chicago, IL Paul and Lulu Hilliard University Museum, Dodge A Bullet, Lafayette, Louisiana &nbsp;Heriard-Cimino Gallery, Exile, Recent Paintings Video and Photography, New Orleans, LA 2005Stefan Stux Gallery, Shot Through, Recent Paintings, New York, NY &nbsp;Elizabeth Moore Fine Art, Of Gnarl and Striation, Recent Drawings, New York, NY&nbsp; 2004Heriard-Cimino Gallery, New Orleans, LA&nbsp; &nbsp;Butters Gallery, Portland, OR &nbsp;Byron Roche Gallery, Chicago, IL 2003Delaware Center for the Contemporary Arts, Simoons, Wilmington, DE &nbsp;Thom Andriola/New Gallery, Heavymetalgirls, Houston, TX &nbsp;Paul Rodgers/9W, Friendly Fire, New York, NY &nbsp;Art Resources Transfer, On Light and Shadow, with Fran Siegel, New York, NY&nbsp; 2002Byron Roche Gallery, Chicago, IL 2001Paul Rodgers/9W, New York, NY &nbsp;Byron Roche Gallery, Chicago, IL &nbsp;Vanier Gallery, Scottsdale, AZ &nbsp;Palm Beach Institute for Contemporary Art, FL &nbsp;Galerie Simonne Stern, New Orleans, LA &nbsp;Alva Gallery, New London, CT 2000Byron Roche Gallery, Chicago, IL &nbsp;650 Madison Avenue Exhibition Program, New York, NY 1999Howard Scott / M13 Gallery, New York, NY &nbsp;Galerie Simonne Stern, New Orleans, LA &nbsp;Hafnarborg Museum of Fine Art, Reykjavik, Iceland &nbsp;Art Resources Transfer, New York, NY 1998Nave Museum, Victoria, TX Saint Peter's Church, Citicorp, New York, NY 1997Galerie du Tableau, Marseille, France&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Windows, Bergdorf Goodman, New York, NY 1996Galerie Simonne Stern, New Orleans, LA 1995Atlantic Gallery, New York, NY 1994Galerie Simonne Stern, New Orleans, LA 1993Galerie Simonne Stern, New Orleans, LA &nbsp; &nbsp; &nbsp; &nbsp;Artifacts Gallery, Birmingham, AL 1992Res Nova Gallery, New York, NY 1991Pensacola Museum of Art, Pensacola, FL 1990Res Nova Gallery, New Orleans, LA 1987Tilden-Foley Gallery, New Orleans, LA 1986New Orleans Performing Arts Center, LA 1985Tilden-Foley Gallery, New Orleans, LA 1982Tilden-Foley Gallery, New Orleans, LA 1978Fine Arts Gallery, University of New Orleans, LA &nbsp;&nbsp; &nbsp;&nbsp; Site-Specific Installations &nbsp;&nbsp; &nbsp;&nbsp;2016Art OMI 25thAnniversary Exhibition, The Fields Sculpture Park at the OMI International Arts Center, Ghent, NY 2012Glass Like A Memory, Steel Like A Valentine (public commission), Michigan State University, Lansing, MI 2010HarborArts /French Flair Kite, Boston Harbor Shipyard, Boston, MA &nbsp;Another (America), Richard J. Massey Foundation, NYC 2008DRIFT: Saved From the Waters, Illuminate Productions, River Thames, London, UK &nbsp;Zen Marksman, The Ogden Museum of Southern Art, New Orleans, LA 2007(AMERICA), KK Projects, St. Roch, New Orleans, LA&nbsp; 2004Gunshot Landscape, The Fields Sculpture Park, Art Omi International, Ghent NY 1999Mother, A.R.T. Gallery, New York, NY &nbsp;&nbsp; &nbsp;&nbsp; International Art Fairs &nbsp;&nbsp; &nbsp;&nbsp; 2018Art Market San Francisco, Jonathan Ferrara Gallery, San Francisco, CA 2017Pulse Miami Beach, Jonathan Ferrara Gallery, Miami, FL &nbsp;Art Context Miami, Kim Foster Gallery, Miami, FL &nbsp;Art on Paper, Jonathan Ferrara Gallery, New York, NY 2016Volta 12 Basel, Jonathan Ferrara Gallery, Volta, Switzerland &nbsp;Scope Miami Beach, Jonathan Ferrara Gallery, Miami, FL 2015Scope Miami Beach, Jonathan Ferrara Gallery, Miami, FL 2014Dallas Art Fair, Salomon Contemporary, Dallas, TX &nbsp;Scope Miami Beach, Callan Contemporary, Miami, FL 2011Dallas Art Fair, Winston Wachter Fine Art, New York, NY &nbsp;The Armory Show, Loretta Howard Gallery, New York, NY 2010Chicago Art Fair, &nbsp; J.&nbsp; Cacciola Gallery &nbsp;Toronto Art Fair, J. Cacciola Gallery 2007Red Dot Fair, NYC, Butters Gallery, Portland, OR 2006Scope Miami Beach, Jack the Pelican Gallery, Miami, FL 2004AAF Fair, Cheryl McGinnis, New York, NY 2003Art Chicago, Byron Roche Gallery, Chicago, IL &nbsp;AAF Fair, Butters Gallery, Alva Gallery, New York, NY 2002Art Chicago, Navy Piers, Byron Roche Gallery Space, Chicago, IL &nbsp;&nbsp; &nbsp;&nbsp; Selected Group Exhibitions 2024Ten Years, Erin Cluley Gallery, Dallas, TX 2023In Bloom, Erin Cluley Gallery, Dallas, TX 2022Summer Group Exhibition, Weber Fine Art, Greenwich, CT 2019&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Summer Group Exhibition, Erin Cluley Gallery, Dallas, TX Spectra, Urban Institute for Contemporary Arts of Kendall College of Ferris University, Grand Rapids, MI Verve, Kim Foster Gallery, New York, NY 2018Summer Exhibition, Weber Fine Art, Greenwich, CT &nbsp;Francis Greenburger Selects, Love Apple Art Space, Ghent, NY &nbsp;The Whole Drum Will Sound: Women in Southern Abstraction, Ogden Museum of Southern Art, New Orleans, LA 2016Exchange x JFG, Galerie Jochen Hempel w/ Jonathan Ferrara Gallery, Berlin, Germany &nbsp;Poetic Minimalism, Tucson Museum of Art, Tucson, AZ 2015Guns in the Hands of Artists, The Senate, Russell Rotunda, Washington, D.C.; Miami Project, Miami, FL; The Aspen Institute, Aspen, CO; Des Lee Gallery, St. Louis, MO &nbsp;Group: Matrix, Stux + Haller, New York, NY &nbsp;Pulp Fictions, Dieu Donné, New York, NY 2014Imago Mundi: Reparation, New Orleans Museum of Art, New Orleans, LA &nbsp;Guns in the Hands of Artists, Jonathan Ferrara Gallery, New Orleans, LA &nbsp;Beautiful Disintegrating Obstinate Horror Drawing, University of New Mexico Art Museum, Albuquerque, NM &nbsp;...Burning Bright: Tiger tiger, Stux Gallery, New York, NY 2013Blink, Lynch Tham, New York, NY &nbsp;Mine: Take What's Yours, Underline Gallery, New York, NY 2012Norwood Arts Club, Underline Gallery, New York, NY &nbsp;Piping Down the Valleys Wild, Stux Gallery, New York, NY &nbsp;Summer Selections, Kim Foster Gallery, New York, NY &nbsp;Liminality, Luminosity, and the Everyday, CU Art Museum, Boulder, CO &nbsp; &nbsp; &nbsp; Semi Automatic, Lesley Heller Workspace, New York, NY &nbsp;Morris at Twenty, Morris Museum of Art, Augusta, GA &nbsp;Cross Connections, Memphis College of Art, Memphis, TN&nbsp; &nbsp; RAW, Homespace Gallery, New Orleans, LA &nbsp;Pacific Standard Time: Art in LA 1945-1980 Niki de Saint Phalle &amp; the West &nbsp;Coast, Here Is Elsewhere Gallery, Los Angeles, CA&nbsp; &nbsp; &nbsp;Recent Acquisitions, Bradbury Gallery, State University, Arkansas&nbsp; 2011Gun &amp; Knife Show, CentralTrak, University of Texas, Dallas, TX &nbsp;A Disease of the Oyster, The Pearl, Prospect 2 Satellite, New Orleans, LA &nbsp;Modern and Contemporary Art From The Permanent Collection, The Hilliard Museum of Art, Lafayette, LA &nbsp;Connections: A Group Show of Gallery Artists, Stephen Haller Gallery, New York, NY &nbsp;Focal Points, Anita Shapolsky Gallery, New York, NY &nbsp;The Garden, Curators, James Salomon and Beverly Allan, Salomon Contemporary, New York, NY &nbsp;January White Sale, Curator, Beth DeWoody, Loretta Howard Gallery, New York, NY &nbsp;Steel, Margaret Evangeline and Suguru Hiraide&nbsp; Cohn Drennnan Contemporary, Dallas , TX 2010Offerings, Heriard Cimino Gallery, New Orleans, LA Think Pink, Curator Beth DeWoody, Gavlak Gallery, Palm Beach, FL &nbsp;Go Figure, J. Cacciola Gallery, New York, NY &nbsp;The Young Contemporaries, Whitney Art Party, 2010-08 &nbsp;Destruction and Renewal, The Richard Massey Foundation, NYC &nbsp;Hunt and Chase, Curator Beth DeWoody, Salomon Contemporary, East Hampton, NY&nbsp; &nbsp;Plank Road, Salomon Contemporary, New York, NY&nbsp; &nbsp;New York Artists, Gebert Contemporary, Scottsdale, AZ &nbsp;HxWxD: UNO Alumni Show, The University of New Orleans, St. Claude Gallery, New Orleans, LA&nbsp; &nbsp; &nbsp;Muses, Heriard-Cimino Gallery, New Orleans, LA 2008Drift, Illuminate Productions, River Thames, London, England &nbsp;Muses (Return), Heriard-Cimino Gallery, New Orleans, LA&nbsp; 2007What's the Question, Byron Roche Gallery, Chicago, IL 2006Women and Guns, Delgado College, New Orleans, LA &nbsp;Opening Group Show, Cheryl McGinnis Fine Art, New York, NY &nbsp;Women and Morals, Alva Gallery, New London, CT &nbsp;Group Installation, Gerald Peters Gallery, Dallas, TX &nbsp;San Antonio Contemporary Art Month, Jack the Pelican Gallery, San Antonio, TX 2006Paint on Metal, Tucson Museum of Art, Curator Julie Sasse, Tucson, AZ &nbsp;Margaret Evangeline, Mobile Museum of Art, Mobile, AL &nbsp;Adaptation Syndrome, Handworkshop, Dinah and Paul Ryan, Curators, Richmond, VA &nbsp;Through Kids Eyes, Flushing Town Hall Galleries, Cheryl McGinnis, Curator, Flushing, NY &nbsp;Over the Top and Under the Rug, The Shore Institute of Contemporary Art, D. Dominick Lombardi, Curator, Long Beach, NJ 2004Landmine Survivors Benefit,&nbsp;Pace Wildenstein Gallery, NYC, (curator Kiki Smith) &nbsp;Armored, Planet Thailand, Rene Pierre Alain, Curator, Brooklyn, NY&nbsp; &nbsp;Personal Space, Gigantic ArtSpace, New York, NY &nbsp;Mindscape, Pavel Zoubak Gallery, New York, NY &nbsp;Wry Material, Jack the Pelican Presents, Williamsburg/Brooklyn, NY &nbsp;New York Artists, Opelousas Museum, Curator Nan Weir, Opelousas, LA &nbsp;Heavy Metal, Columbus Museum, Curator Wyona Lynch-McWhite, Columbus, GA 2003Abstraction, Winston Wachter Mayer, New York, NY &nbsp;&lt;-Not(Painting)&gt;, The Ise Foundation, Curator Koan Jeff Baysa, New York, NY &nbsp;Summer Group Show, Butters Gallery, Portland, OR &nbsp;Gun &amp; Wound Show, White Box Gallery, Curator, Alisoun Meehan, New York, NY &nbsp;Materiality, Wayne State University, Sandra Dupret, Curator, Detroit, MI &nbsp;Womankind, Butters Gallery, Portland, OR 2002New Concepts, Anita Shapolsky Gallery, New York, NY &nbsp;New Faces '02, Robert Kidd Gallery, Curator, Ray Fleming, Birmingham, MI &nbsp;Lysis, Pamela Auchincloss Projects, Curator, Koan Jeff Baysa, New York, NY &nbsp;500 Works on Paper, Gary Snyder Fine Art, New York, NY &nbsp;Postcards From The Edge, Sperone Westwater, New York, NY &nbsp;25th Anniversary Selections Exhibition, The Drawing Center, New York, NY &nbsp;New Talent, Alpha Gallery, Boston, MA &nbsp;Body Work, Islip Museum, Islip, New York, Leslie Heller, Curator &nbsp;Art Omi Anniversary, Paul Rodgers/9W, New York, NY 2001Julia Street North, Masur Museum of Art, Monroe, LA &nbsp;Body Work, The Work Space, New York, NY, Lesley Heller, Curator&nbsp; &nbsp;Beauty and the Beast, Paul Rodgers 9/W, New York, NY &nbsp;Outlooks, Paul Rodgers/9W, New York, NY &nbsp;Group Show, Pfizer Inc., New York, NY, Lisa Hatchadoorian, Assistant Corporate Curator&nbsp; &nbsp;Affinities, Anita Friedman Fine Arts, New York, NY, Robert Edleman, Gina Fiore, Curators &nbsp;Reactions, Exit Art, New York, NY, Jodi Hanel and Bibi Marti, Curators 200068 Years, 68 Masters, ACA Galleries, New York, NY &nbsp;Younger Artists, Anita Shapolsky Gallery, New York, NY &nbsp;Selections, Summer 2000, The Drawing Center, New York, NY &nbsp;Summer Group Show, Vanier Gallery, Scottsdale, AZ &nbsp;Months and Moons, ACA Gallery, New York, NY &nbsp;Between Tenderness and Tension, Taipei Fine Art Museum, Taiwan, Chien Hui Kao, Curator &nbsp;Ethereal and Material, Delaware Center for the Contemporary Arts, Wilmington, DE, Dede Young, Curator &nbsp;Summer Group Show, Thatcher Projects, New York, NY &nbsp;Contemporary Masters, Blue Hill Cultural Center, Pearl River, NY 1999Margaret Evangeline and Linda Schrank, Rosenberg+ Kaufman Gallery, New York, NY &nbsp;Marilyn!, E. Peterson Gallery, New York, NY &nbsp;Artists as Teachers, Merrill Lynch Financial Center, The Lobby Gallery, New York, NY, Helen Varola, Curator &nbsp;Vanishing Pt,&nbsp;Cynthia Broan Gallery, New York, NY &nbsp;Self Image, Galerie Simonne Stern, New Orleans, LA &nbsp;Art/OMI Open Studio Tour, Omi, NY &nbsp;The Power of Drawing, Westbeth Gallery, New York, NY 1998Crossing Lines, Art in General, curated by Madeline Weinrib and New York, NY &nbsp;Pay Per It, Sideshow 195, Brooklyn, NY &nbsp;Modular Component, Central Fine Arts, New York, NY &nbsp;What's On The Wall, Thatcher Projects, New York, NY &nbsp;Open Salvo, White Box Gallery, curated by Juan Puntes, New York, NY &nbsp;Paper, Jeffery Coploff Fine Art, New York, NY &nbsp;Gramercy Park Art Fair, Gina Fiore Salon, New York, NY &nbsp;Architectonic, Chi Meat, Brooklyn, NY 1997On Paper, Avanti Gallery, New York, NY &nbsp;Natural Selection, Z Gallery, New York, NY, Dominique Nahas, Curator &nbsp;World View, Rosenberg &amp; Kaufman Fine Art, New York, NY &nbsp;Solo, Museum of the City of Madrid, Madrid, Spain &nbsp;Americans in Italy and Italians in America, Teatro Degli Artisti, Rome &nbsp;67 Broad Street, The Art Exchange Show, Jeffrey Coploff Fine Art, New York, NY &nbsp;Fresh, Jeffrey Coploff Fine Arts, New York, NY 1996Light &amp; Color, Jeffrey Coploff Fine Art, New York, NY 1994Wirstrom &amp; Asprodites, Galerie Simonne Stern, New Orleans, LA 199312th Annual, Alexandria Museum, Alexandria, LA, Peter Frank, Curator &nbsp;Summer Group Show, Jaffe Baker Gallery, Boca Raton, FL 1992Under Glass &amp; in the Round, Galerie Simonne Stern, New Orleans, LA &nbsp;Summer Group Show, Res Nova Gallery, New York, NY &nbsp;Big, Contemporary Arts Center, Lew Thomas, Curator, New Orleans, LA &nbsp;&nbsp; &nbsp;&nbsp; Curatorial &nbsp;&nbsp; &nbsp;&nbsp; 2008The Rose Art Museum, Empires and Environments, Waltham, MA 2007The Rose Art Museum, Papertrail 1, Waltham, MA 2004Heriard-Cimino Gallery, Jo Smail: Degrees of Fluency, New Orleans, LA 1999Cynthia Broan Gallery, Vanishing Point, New York, NY &nbsp;&nbsp; &nbsp;&nbsp; Awards/Residencies &nbsp;&nbsp; &nbsp;&nbsp; 2013The Louis Comfort Tiffany Foundation Biennial Competition Nominee 2012Artists Summer Institute, Creative Capital Professional Development Program 2011Smithsonian Artist Research Fellowship Nominee 2010Art Omi Artist Residency Board Member 200930th Anniversary of University of New Orleans Honored Artist Alumna with Peter Halley and Lucky DeBellevue &nbsp; &nbsp;Louisiana Art Works International Artist-in-Residence 2008Joan Mitchell Foundation Moderator for Artists Visit Artists Part 1 and 2, Louisiana Artworks, New Orleans, LA &nbsp;The Benjamin M. Rosen Family Foundation Publishing Grant, New York, NY&nbsp; 2007The Richard Massey Foundation Grant for Site-Specific Installation, KK Projects, New Orleans, LA &nbsp;New York Advisory Board for Louisiana Artworks, Member 2006Mary Baldwin College, Susan Paul Firestone Award in Contemporary Art, Staunton, VA 2002Santa Fe Art Institute, NY Artist-in-Residence, Santa Fe, NM 2001Pollock-Krasner Foundation Grant, New York, NY 1999ART/OMI Foundation Artist in Residence, Omi, NY 1996New York Foundation for the Arts, Painting Fellowship&nbsp; 1991 &nbsp; &nbsp;&nbsp; Villa Montalvo Foundation Artist in Residence, Saratoga, CA &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; Monographs and Special Project Books &nbsp;&nbsp; &nbsp;&nbsp; 2013Elizabeth Beecher Publications, London. We Thought We Were Drowning But It Was Only Love, Margaret Evangeline, Lilly Wei, Dominique Nahas. 2012Charta Art Books, Milan. Sabachthani: Why Have You Forsaken Me?, Margaret Evangeline, Jonathan Goodman, Dominique Nahas, Julie Fontenot Landry.&nbsp; 2011Charta Art Books, Milan. Margaret Evangeline: Shooting Through The Looking Glass, Edward Lucie-Smith, Margaret Evangeline, Dominique Nahas. &nbsp;&nbsp; &nbsp;&nbsp; Bibliography &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Architectural Digest, Art Across America, pg. 7 &nbsp;artkrush.com, Featured Artist, September 2002 &nbsp;Art Index, PBS Special with Host Joy Glidden, Episode 2, October, 2011, &nbsp;"Best Talk," April 18, 1998, Channel 11, WPIX. New York, NY, Studio Interview (filmed in artist's studio) &nbsp;Artnet, The Future of Commercial Art Galleries, Part Two, August 20, 2014 &nbsp;BBC News, Art Exhibition on the Thames, September 25, 2008 &nbsp;D'Art International. Illustration. Fall/Winter Vol.2, #1. Pg. 1 &nbsp;Dutch,&nbsp; "G-spot" Fashion Editorial by Michael Sanders, illustrations, May-June 2001 &nbsp;Harper's Bazaar, Fashion Editorial, illus., Sept. 1996, pp. 190, 195 &nbsp;House Beautiful, Interior Design Interview, illus., 2011, pp 120-121 &nbsp;Interview Magazine, Fashion Editorial, illus., April 2005 &nbsp;Manner Vogue, "Wilde Western," Fashion Editorial, illustrations, June 1997, pp. 48, 55 &nbsp;Meeschaert, 80 Bourses Pour 80 Ans, 2017 Catalogue, pp 50-51 &nbsp;New Observations, The Cultural Traveler's Guide, issue #128, Spring/Summer 2001 &nbsp;The Leaf Chronicle, 'Museum Exhibits Works by Margaret Evangeline', Sept. 18th, 2014 &nbsp;The New York Review of Books, Brushes and Combs, Mar. 4, 1999. &nbsp;The New York Sun, Calendar: Art: Works on Paper, illustration, Aug. 2-4, 2002, illustration &nbsp;Publisher's Weekly, Review: Sabachthani, November 12, 2012 &nbsp;Review Magazine, Dec. 1, 1998 issue. Cover illustration &nbsp;River North News, Art Notes, Vol. 13, Is. 21, October 7, 2000 &nbsp;Shape, October, 2002, pp. 165, 169. Illustration. &nbsp;Willamette Week, Thirteen Things To Do In Portland, Aug 15, 2014 &nbsp;&nbsp; Anderson, Alex&nbsp; &nbsp;Elegant Complexity, KC Metropolis.org, Sept 20, 2016 Artner, Alan G.&nbsp; &nbsp;"Margaret Evangeline,” Chicago Tribune, October 10, 2008 &nbsp;"Margaret Evangeline's Abstractions," Chicago Tribune, June 9, 2006 &nbsp;"Margaret Evangeline's Abstractions," Chicago Tribune, August 24, 2001 &nbsp;&nbsp; Barnes, Curt&nbsp; &nbsp;"Margaret Evangeline: Painting by Other Means," New York Arts Magazine, April 2005 Baysa, Koan Jeff&nbsp; &nbsp;"Around Town with Koan Jeff Baysa," ArtSlant, January 2010 Beer, Jonathan,&nbsp; &nbsp;"Margaret Evangeline: Shooting Through The Looking Glass," The Brooklyn Rail, March 2012 Bergerson, Chris&nbsp; &nbsp;"Seeing is Believing," Metrowest Daily News, February 3, 2008 Bookhardt, Eric D.&nbsp; &nbsp;"Muses: Recent Work by Female Artists," Gambit, January 19, 2009 &nbsp;"Long Shots," Gambit, November 4, 2008 &nbsp;"Recent Work by Margaret Evangeline,” Gambit Recommended, Friday, April 11, 2006 &nbsp;"Body Paint,"Gambit, April, 2001 &nbsp;"Blurring the Boundaries,"&nbsp;Gambit, June 23,&nbsp;1999 &nbsp;"Feminine Mysteries," Gambit, February, 1993 &nbsp;"Abstraction, Time &amp; Place," Art Papers, Dec. 1997 &nbsp;"Abstraction, Time &amp; Place," Gambit, March-April 1997 &nbsp;"Margaret Wirstrom: Paintings," Art Papers, March-April 1991 pg. 58 Bowers, J&nbsp; &nbsp;"Margaret Evangeline: Too Pure Water At C. Grimaldis Gallery through Dec. 2", CITYPAPER, Nov. 29, 2006 Brasted, Chelsea&nbsp; &nbsp;"Baton Rouge-born artist Margaret Evangeline's rifle-shot work part of LSU MOA retrospective," The Times Picayune, NOLA.com, March 6, 2015 Budick, Ariella&nbsp; &nbsp;"Woman to Woman," Newsday, Sunday April 21, 2000 &nbsp;&nbsp; Burke, Catherine&nbsp; &nbsp;"Dehisce and A Course in Minerals," dart, #22 SPRING/SUMMER 2008, p. 38 Calas, Terrington&nbsp; &nbsp;Muses: Anti-Trend The New Orleans Art Review, March/April 2009 pg. 4. &nbsp;"Margaret Wirstrom's Spiritualism," The New Orleans Art Review, vol. 9, no. 3, pg. 19, January 1991 &nbsp;"Margaret Wirstrom's New Work," The New Orleans Art Review, vol. 86-87, no.3, 1987 &nbsp;"Abstraction In Louisiana," (catalog), Contemporary Arts Center, New Orleans, LA, 1982 &nbsp;"Four Artists: A New Direction," Figaro, 1980 Catton, Pia&nbsp; &nbsp;"Showing All That Glitters," The Wall Street Journal, January 12, 2013 Chin, Marilyn&nbsp; &nbsp;"The Phoenix Gone, The Terrace Empty," Milkweed Editions, 1994; cover illustration Cleveland, David&nbsp; &nbsp;Margaret Evangeline, Stux and Elizabeth Moore Fine Art Artnews, October, 2005 Colman, David&nbsp; &nbsp;"Minimal Efforts" Elle Décor, Jan./Feb. 2010 pg. 81 and 85 Copeland, Alex&nbsp; &nbsp;"Heavy Metals" Dallas Observer, September 2011 Cotter, Holland&nbsp; &nbsp;"Wry Material", The New York Times, February 6, 2004 &nbsp;"Sampling Brooklyn", The New York Times, January 23, 2004 Cunningham, Kevin&nbsp; &nbsp;"Rough and Almost Ready," The Houston Chronicle, January 28, 1990 Dalton, Jennifer&nbsp; &nbsp;"Art In General Presents Work That's Not 'Off the Wall',' The Tribeca Tribune, Vol. V, No.4, Dec. 1998, pg. 42 Delaney, Tim&nbsp; &nbsp;"Nave Museum will feature new exhibit," The Victoria Advocate, March 5th, 1998, pg. 1 Dannatt, Adrian&nbsp; &nbsp;"Margaret Evangeline: friendly fire", The Art Newspaper, # 135, April, 2003 " Dillon, Noah&nbsp; &nbsp;"Tickety Tock," Art Slant New York, January 2012 Evangeline, Margaret&nbsp; &nbsp;"Won't You Celebrate With Me?: Jacqueline Bishop's "Babylon &amp; Zion" Paintings, SRO Gallery, April 2018 &nbsp;"Sabachthani: Why Have You Forsaken Me?", Milan: Charta Art Books, 2012. &nbsp;"Margaret Evangeline", NY ARTS, International Edition, Vol. 11 no 11/12, 2007&nbsp; Fagaly, William&nbsp; &nbsp;"Women Artists' News," Huepoints, vol. 8. No. 2,&nbsp;1993 Freckmann, Donna&nbsp; &nbsp;"New Orleans Artists Display Work at Pensacola's Art on the Tracks," Pensacola News Journal, pg. 10, July 14, 1989 Febres, George&nbsp; &nbsp;"My Cousin the Saint," (catalog) Contemporary Arts Center, New Orleans, LA, 1983 Garden Castro, Jan&nbsp; &nbsp;"Emerging Art at The Fields Sculpture Park: Omi International Arts Center", Sculpture, Vol. 26 No. 8, Oct. 2007 Genocchio, Benjamin&nbsp; &nbsp;"Margaret Evangeline at Paul Rodgers/9W", review, illustration. Art in America, July 2003 Germer, Sophia (Photographer)&nbsp;&nbsp; &nbsp;Photos: The Contemporary Arts Center host Warehouse District art crawl (Slideshow), New Orleans Advocate, Oct 1, 2016&nbsp; Goodman, Jonathan&nbsp; &nbsp;"Margaret Evangeline An Injured Armory," The Brooklyn Rail, June 3, 2015&nbsp; Green, Roger&nbsp; &nbsp;"Margaret Wirstrom," Times-Picayune, Dec. 2, 1991 &nbsp;"Lagniappe," Times-Picayune, 1985 &nbsp;"Energy Highlights," Times-Picayune, 1983 &nbsp;"Lagniappe," States-Item, 1978 Gruber, Richard J.&nbsp; &nbsp;"Silver Bullets and Holy Water: Paintings By Margaret Evangeline," Country Roads, October 2008 Halasz, Piri&nbsp; &nbsp;"MO/PO-MO ABSTRACTION," From The Mayor's Doorstep, no. 47, June 2003, pg. 10&nbsp; Halperin, Julia&nbsp;&nbsp; &nbsp;"VP candidate Tim Kaine sponsors gun art show in Washington, DC," The Art Newspaper, Oct 5 2016 Hazelwood, Carl E.&nbsp;&nbsp; &nbsp;"Crossing Lines," Art Papers, May/June 1999. Pg. 46 Heartney, Eleanor &nbsp;&nbsp; &nbsp;"Margaret Wirstrom," Art in America, December 1992 Houston, David&nbsp; &nbsp;"Uneasy Waters" Introduction, 2010 Kemp, John R.&nbsp; &nbsp;"Margaret Evangeline: Ogden Museum of Southern Art," ARTnews, February 2009 Henderson, Harvest&nbsp; &nbsp;"Fine Mettle in Brushed Aluminum," The Oregonian, Friday, May 21, 2004 Johnson, Ken&nbsp; &nbsp;"[Not (Painting)], Review. The New York Times, July 4, 2003. p. E30 &nbsp;"Mindscape", The New York Times, July 9, 2004 Johnson, Richard&nbsp; &nbsp;"We hear... " Page Six. The New York Post, April 1, 2003 Jones, Malcolm, McGuigan, Cathleen&nbsp; &nbsp;"Toward a New New Orleans," Newsweek, May 5, 2008, p. 51 Jordan, George&nbsp; &nbsp;"Critic's Choice," GO Magazine, 1984 Katz, Alex&nbsp;&nbsp; &nbsp;"Biennial," (catalog), Birmingham Museum of Art, Birmingham, AL, 1982. Illustration Karmel, Pepe &nbsp;&nbsp; &nbsp;"The Golden Age of Abstraction: Right Now," ARTnews, April 2013 &nbsp;"Sincere and Ironic Abstraction", lecture, The Art Students League Of New York, AICA Series, May 15, 2002 Kinzer, Stephen&nbsp; &nbsp;"For Artists, A Sanctuary from Sept. 11", The New York Times, January 23, 2002. Illustration LeVie, Virginia&nbsp; &nbsp;"Upscale Art," New Orleans Art Review, v. 4, n. 1, 1985 Lynch-McWhite, Wyona&nbsp; &nbsp;"Heavy Metal," Catalog, The Columbus Museum Uptown, April-1 2004 Lippard, Lucy&nbsp; &nbsp;"Louisiana Premiere: Women Artists," (catalog), 1982 Lombardi, D. Dominick&nbsp; &nbsp;"Extreme Precision: A Conversation with Margaret Evangeline," Sculpture, Jan./Feb.2010 Vol. 29 No. 1 &nbsp;"Bending Nature at Will," The New York Times, Westchester Weekly Desk, 2004 &nbsp;"Adaptation Syndrome," New York Arts Magazine, vol 10, #56 &nbsp;"Over the Top-Under the Rug," dART International Magazine, Winter 2005/06 Lucie-Smith, Edward, Dominique Nahaas&nbsp; &nbsp;"Margaret Evangeline", Charta Art Books, Milan, Italy, Fall 2011 MacCash, Douglas&nbsp; &nbsp;"Love Heels," The Times Picayune, Friday, March 31, 2006 &nbsp;"Artistic Ammunition," The Times Picayune, Friday, April 9, 2004 &nbsp;"Score another one for Non-Objectivity," Times-Picayune, Lagniappe, June 19,1999 &nbsp;"UNO Grads Making Their Marks on the Art World," Times-Picayune, Lagniappe, September 24, 1999 &nbsp;"Woman to Woman," Newsday, Sunday, April 21, 2000 Macdonald, Fiona&nbsp; &nbsp;"River Flows with Creativity with Drift," The Metro Newspaper, London, September 25, 2008 McQuaid, Cate&nbsp; &nbsp;New Talent Show, The Boston Globe, June 21, 2002 Boston, MA Mannisto, Glenn&nbsp; &nbsp;"The Stuff of Art," Metro Times, review, illustration, April 23, 2003 Matteson, Nathan&nbsp; &nbsp;"5 Shows to See Now," New City, (Chicago) Vol.15, No. 645, October 19, 2000 McLellan, Marian&nbsp; &nbsp;"Calculated, Distilled," The New Orleans Art Review, May/June 2001, pg. 28-31 illustration Mcnatt, Glenn&nbsp; &nbsp;"An Annie Oakley Approach", Baltimore Sun, November 15, 2006 Murphy, Jay, Peter Halley, and Hunt Slonem&nbsp; &nbsp;"Margaret Wirstrom Paintings and Drawings," Pensacola Museum of Art, (catalogue introduction, essay, and forward), May 1991 Murray, Michael P.&nbsp; &nbsp;"Over the Top and Under the Rug at SICA," The Two River Times, September 16, 2005 Nahas, Dominique&nbsp; &nbsp;"Margaret Evangeline in Conversation with Dominique Nahas," Margaret Evangeline, Charta Art Books, Milan, Italy, Fall 2011 &nbsp;"Lysis," d'Art International Magazine, Fall 2002, pg. 19-21 &nbsp;"Margaret Evangeline," New Art Examiner, September, 1998, pg. 57-58 &nbsp;"Margaret Evangeline, Camille Series," (catalog) Edition Stern, 1996 &nbsp;"Light and Color," Review Magazine, November 15, 1996, pg. 14 &nbsp;"A Natural Selection," exhibition essay, Z Gallery, New York, NY, May-June 1997 &nbsp;"Margaret Evangeline &amp; John Galliano, Art &amp; Fashion," The Windows of Bergdorf Goodman, March 1997 &nbsp;"A Conversation, Dominique Nahas and Margaret Evangeline", Margaret Evangeline, Holey Space, The Ogden Museum of Southern Art, 2010 &nbsp; &nbsp; Parkey, Josh&nbsp; &nbsp;"Margaret Evangeline: Shooting Through the Looking Glass," International Sculpture Center Blog, October 12, 2011 Pfohl, Katie&nbsp; &nbsp;"Museum Muses: Dr. Leone Elliott," Country Roads, February 2015 Pollock, Barbara&nbsp; &nbsp;"Wry Material", Time Out New York, Feb 5-12, 2004. Issue 436 Rockwell, Steve&nbsp; &nbsp;"Linda Schrank and Margaret Evangeline," d'Art International Magazine, vol. 2, #2, Spring-Summer 1999, page 41 Rush, Michael&nbsp;&nbsp; &nbsp;"Sabachthani", Interview and Essay, 2014, Eli and Edythe Broad Museum Catalog &nbsp;"Rush Interactive," Interview, 2005, WPS1.org, A Museum of Modern Art Affiliate &nbsp;"Margaret Evangeline. The Confessions of Mlle. G.," (catalog) Palm Beach Institute of Contemporary Art, May, 2001 &nbsp;"The Confessions of Mlle. G.," (catalog) Selections, Summer 2000, The Drawing Center, New York, NY, June 2000 &nbsp;"Vanishing Pt.," Review Magazine, April 1999 Rothluebber, Francis&nbsp; &nbsp;"One Upon A Time, AMERICA," One: The Mind Aware, 2010, 2 illustrations Schwan, Gary&nbsp; &nbsp;"What makes this Museum Hot?" Palm Beach Post, December 22, 2002 pg. 1J &amp; 4J &nbsp;"Painting, Rumpled Bed Offer Brave Exhibition," Palm Beach Post, May 13, 2001 pg. 4J &nbsp;"Norton busy raising more than..." Palm Beach Post, December 23, 2001. Pg. 5j Shea, Al&nbsp; &nbsp;Artscan, Gambit, New Orleans, Aug. 8, 1989, pg. 27 &nbsp;Artscan, Gambit, New Orleans, Jan. 17, 1987, pg. 20 Sheets, Hilarie&nbsp; &nbsp;"Making Her Mark," 1stDibs, January 12, 2015 Sim, Deborah A.&nbsp; &nbsp;"National Women Artists Invitational Exhibition, A Review," Clemson University, SC, 1986, catalog &nbsp; " Simpson, Joel&nbsp; &nbsp;"The Modern Life" Block Magazine, February 13, 2004 Sjostrom, Jan&nbsp; &nbsp;"Artist Constructs her Work from Paper, Pain" Palm Beach Daily News, May 11, 2001 Lucie-Smith, Edward&nbsp;&nbsp; &nbsp;"Uneasy Waters", The Ogden Museum of Southern Art, 2010 Sozanski, Edward J.&nbsp; &nbsp; The Philadelphia Inquirer, November 14, 2003 pg. W37 Speer, Richard&nbsp; &nbsp;"Visual Arts," Willamette Week, May, 2004 Stark, Clarissa&nbsp; &nbsp;"An Art Break," The Brandeis Hoot, February 9, 2007&nbsp; Thomasos, Denyse. Wei, Lilly. Weinrib, Madeline&nbsp;&nbsp; &nbsp;"Crossing Lines," Art in General catalog. 1999 Thrun, Neil&nbsp; &nbsp;"Margaret Evangeline: In Beauty there is Guilt," Weinberger Fine Art, KC Studio, Sept 20, 2016&nbsp; Volkmar, Karl&nbsp; &nbsp;"Reason Knows Not the Reasons of the Heart," The New Orleans Art Review, April/May 2010 &nbsp;&nbsp; "Trentennial: MFA at UNO," The New Orleans Art Review, May/June/July 2009 pg. 3 &nbsp;"Margaret Evangeline's New Work," The New Orleans Art Review, April/May 2006 &nbsp;"Mettalica," The New Orleans Art Review, MAY/June 2004, pp. 10,11, 12 &nbsp;"Artists and Guns"; The New Orleans Art Review, Winter 2014-2015,&nbsp; pp. 16-20 Waddington, Chris&nbsp; &nbsp;"Nature's Poetry on Canvas," Times-Picayune, Lagniappe, September 1994, pg. 25, illustration &nbsp;"Best of 1993," Times-Picayune, Lagniappe, Jan.1994 &nbsp;"Elegance in Abstract," Times-Picayune, Lagniappe, February 1993 &nbsp;"Maximum Size," Times-Picayune, Lagniappe, December 1996 &nbsp;&nbsp; Walmsley, James S.&nbsp;&nbsp; &nbsp;"Stroke of Genius," Southern Accents, November-December 1996, pp. 125-134 Walker, Myra and William Fagaly&nbsp; &nbsp;"Louisiana Women In Contemporary Art" (catalogue), University of Southern Illinois, 1983, illustration &nbsp;"Solo, Una Propuesta de Arte Universal en el Museo de la Ciudad," El Punto de las Artes, pg. 4, No. 103, Julio 1997 &nbsp;&nbsp; Wei, Lilly&nbsp; &nbsp;"We Thought We Were Drowning But It Was Only Love," (catalog), Callan Contemporary, Dec. 2013,&nbsp; &nbsp;"Margaret Evangeline at the Hilliard Art Museum and at Heriard-Cimino," Art in America, Jan. 2007, pg. 151 &nbsp;"Margaret Evangeline Is This It? A Survey of Paintings 1996-98," (catalog) Royston Nave Museum, March, 1998 &nbsp;"Crossing Lines," (catalog) Art in General, 1999. &nbsp;"Margaret Evangeline at Galerie Simonne Stern," Art in America, Jan. 2000, No. 1, p125, illustration &nbsp;"Younger Artists 2000," Artnews, Apr. 2001, pg. 144 Williams, Peter&nbsp; &nbsp;"Margaret Evangeline", The Detroiter, review, illustration. April 17, 2003 Worth, Alexis&nbsp; &nbsp;&nbsp;"Goings on about Town, Beauty and The Beast," The New Yorker, August 20 &amp; 27, 2001 Zimmermann, Mark&nbsp; &nbsp;"-[not(painting)]," artUS inaugural issue November-December 2003, pg. 36 &nbsp;&nbsp; Selected Public Collections&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;50 West, New York, NY &nbsp;Al Manahil Entertainment Company Ltd., Riyadh, Saudia Arabia &nbsp;Alexandria Museum of Art, Alexandria, LA &nbsp;Albuquerque Museum of Art, University of New Mexico, Albuquerque, NM &nbsp;Art Museum of South Texas, Corpus Christi, TX &nbsp;Audubon Brokers, New Orleans, LA &nbsp;Bank of the South, Atlanta, GA &nbsp;Bradbury Gallery, Arkansas State University, Jonesboro AR &nbsp;Leo Castelli Gallery of Brenau University, Gainesville, GA &nbsp;Cannon's Restaurant, New Orleans, LA &nbsp;Chanel Collection, Sydney, Australia &nbsp;Chanel Collection, Hong Kong, China &nbsp;Chanel Collection, Toronto, Canada &nbsp;Children's Hospital, New Orleans, LA &nbsp;Chestnut Tower, Chicago, IL &nbsp;CU Art Museum, University of Colorado Boulder &nbsp;Customs House Museum, Clarksville, TN &nbsp;Digital Communications Associates, Alpharetta, GA &nbsp;Eleanor D. Wilson Museum at Hollins University, Roanoke, VA &nbsp;The Eli and Edythe Broad Museum, East Lansing, MI &nbsp;Entergy Foundation, Jackson, MS &nbsp;Everhart Museum, Scranton, PA &nbsp;The Fields Sculpture Park, Art Omi International, Ghent, NY &nbsp;First City Bank, Baton Rouge, LA &nbsp;Georgia Museum of Art, Athens, GA &nbsp;Hilton Hotel, Palm Beach, FL &nbsp;Holland &amp; Knight, Chicago, IL &nbsp;Huntsville Museum of Art, Huntsville, AL &nbsp;Hyatt Regency, Washington, DC &nbsp;Illuminate Productions, London, England &nbsp;The James New York, NYJax Brewery Development, New Orleans, LA &nbsp;Iberia Bank, Lafayette, LA &nbsp;Knoxville Museum of Art, Knoxville, TN &nbsp;Lobman &amp; Carnahan, Metairie, LA &nbsp;LSU Museum of Art, Shaw Center for the Arts, Baton Rouge, LA &nbsp;The McNay Art Museum, San Antonio TX &nbsp;Meeschaert, Paris, France &nbsp;Michigan State University, East Lansing, MI &nbsp;Mobile Museum of Art, Mobile, AL &nbsp;Morris Museum of Art, Augusta, GA &nbsp;Morrison Productions, New Orleans, LA &nbsp;Neevelgarde Building, Nieuwegein, Netherlands &nbsp;New Orleans Museum of Art, New Orleans, LA &nbsp;The Ogden Museum of Southern Art, New Orleans, LA &nbsp;Olin Gallery of Roanoke College, Salem, VA &nbsp;Omni Hotel, Miami, FL &nbsp;Omnicom Hotel, New York, NY &nbsp;The Paul &amp; Lulu Hilliard Museum, Lafayette, LA &nbsp;Pensacola Museum of Art, FL &nbsp;Pfizer, New York, NYRadisson Suite Hotel, New Orleans, LA &nbsp;The Richard J. Massey Foundation for the Arts and Sciences, New York, NY &nbsp;The Rose Art Museum, Waltham, MA&nbsp; &nbsp;Truman Center for the Healing Arts, Kansas City, MO &nbsp;RxArt, New York, NY &nbsp;Simon, Peragine, Smith &amp; Redfern, New Orleans, LA &nbsp;Tennessee State Museum, Nashville, TN &nbsp;Texaco, Houston, TX &nbsp;Tucson Museum of Art, Tucson, AZ &nbsp;University of New Mexico Art Museum, Albuquerque, NM &nbsp;Wayne State University Art Collection, Detroit, MI https://margaretevangeline.com/Exhibitions Thu, 07 Mar 2019 20:48:43 +0000 Margaret Evangeline https://margaretevangeline.com/Exhibitions Current &amp; Upcoming Events Ferrara Showman GalleryInner Gardens Solo Exhibition New Orleans, LA, July 17-August 31, 2024 Opening Reception August 3, 2024Erin Cluley GalleryTen YearsGroup ExhibitionDallas, TX, August 24-Septemeber 28, 2024 Opening Reception August 24, 2024 Elizabeth Moore Fine ArtHudson, NY, Summer 2024 Recent Events Erin Cluley GalleryIn BloomGroup ExhibitonDallas, TX, February 18-March 25, 2023 Weber Fine Art Summer Group Exhibition Greenwich, CT, July 21 - August 21, 2022 Opening Reception Thursday July 21, 5-7pm Erin Cluley Gallery Group Exhibition Summer 2022 Dallas, TX, July 9 - August 20, 2022 Opening Reception Saturday July 9, 5-8 pm Jonathan Ferrara Gallery Camellias From a Temperate ZoneNew Orleans, LA, February 16 - March 19, 2022Opening Recepion 5 March, 5-8pm Jonathan Ferrara Gallery2021 Art Miami Miami, FL, November 30-December 5, 2021 Erin Cluley GalleryA Light Between LeavesDallas, TX, August 28 - October 2, 2021 Elizabeth Moore Fine ArtFleshly Oily Deep and DenseHudson, NY, May 29 - August 15, 2021 Dimmitt Contemporary Art Shift, Group Exhibition featuring new works by 15 female artistsHouston, TX, April 29 - June 4, 2021 Brenau UniversityHouse and Universe: Margaret EvangelineGainesville, GA, Jan 16 - March 12, 2020Reception &amp; gallery talk Jan 23 Urban Institute for Contemporary Arts of Kendall College of Art and Design&nbsp; Spectra Grand Rapids, MI, Sept 6 - Dec 20, 2019 The Gilded Owl Margaret Evangeline / Bringing It Forth Hudson, NY, Aug 10 - Sept 15, 2019 Weinberger Fine ArtIn Beauty There Is Guilt IIKansas City, MO, May 2 - June 29, 2019 Kim Foster GalleryThe Otherness of ObjectsNew York, NY, March 28 - May 4, 2019.&nbsp; Joyce Goldstein Gallery A Feeling for Paint Chatham, NY, Nov 24 - Dec 29, 2018. Jonathan Ferrara Gallery Eight Love Letters, Heloise to Abelard New Orleans, LA, July 18 - Aug 25, 2018. Love Apple Art Space Francis Greenburger Selects Ghent, NY, June 2-Aug 31, 2018. Ogden Museum of Southern Art The Whole Drum Will Sound: Women in Southern Abstraction New Orleans, LA, March 22 - July 22, 2018. https://margaretevangeline.com/Books Thu, 07 Mar 2019 20:48:43 +0000 Margaret Evangeline https://margaretevangeline.com/Books Books <img width="1066" height="1330" width_o="1066" height_o="1330" data-src="https://freight.cargo.site/t/original/i/a495dadefdafbf82c51543515b5b20e2e852c10d87bdfa305694cc42fc580e18/punkcamelliacover.jpg" data-mid="177671228" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/a495dadefdafbf82c51543515b5b20e2e852c10d87bdfa305694cc42fc580e18/punkcamelliacover.jpg" /> Punk Camellia, 2021Enquire For Copy A chapbook showcasing works featured at Art Miami 2021, ‘Punk Camellia’ is a spare and vibrant catalogue of recent canvases that subvert and expand upon the botanical motifs of Evangeline’s career-spanning Camellia series. Composed of 26 recent works in oil on canvas, the book opens with an introduction written by Evangeline herself: “Punk can mean ‘a little unfinished’. To distill the feeling of a nature-watch into a series, to get the flash and the simplicity, I developed some simple flowers from my garden[..]” <img width="350" height="530" width_o="350" height_o="530" data-src="https://freight.cargo.site/t/original/i/bbc56c844c5b83b73c855072d01ccb3d55e1e3d80ad582e3900aae732f151def/monograph_3_o_o.jpg" data-mid="37098935" border="0" src="https://freight.cargo.site/w/350/i/bbc56c844c5b83b73c855072d01ccb3d55e1e3d80ad582e3900aae732f151def/monograph_3_o_o.jpg" />Margaret Evangeline, 2011 Buy Barnes &amp; Noble "Her artwork is exemplified by a devoted investigation of the in-between: emotion and perception, object and experience, component and concept. Her creative output also lies between disciplines, fluctuating from painting, sculpture, and site-specific installation, the extent of which is illustrated in this publication." - J. Beer, The Brooklyn Rail"[...] takes the reader further into Evangeline’s mind and personality—how her works revolve around her sense of place and her need to be close to a river. Such nuances are picked up throughout the book and reveal an artist deeply attuned to what’s around her, unafraid to use a variety of mediums."- J. Parkey, Scultpure Magazine <img width="500" height="395" width_o="500" height_o="395" data-src="https://freight.cargo.site/t/original/i/f3234001a63c408ac935d0fa8c1ee337b70f87cfd35676f344c66b54fdaf1617/Sabachthani_Cover_copy_o_o.jpg" data-mid="37098936" border="0" data-scale="88" src="https://freight.cargo.site/w/500/i/f3234001a63c408ac935d0fa8c1ee337b70f87cfd35676f344c66b54fdaf1617/Sabachthani_Cover_copy_o_o.jpg" />Sabachthani, 2012 Buy Barnes &amp; Noble "This elegant, spare art book pairs black-and-white plates of two recent sculptural works with poems about grief, faith, and doubt during wartime. In 2011, Evangeline sent 20 aluminum bars to her son, who was completing his deployment in Iraq. He then recruited two soldiers to shoot the metal strips with their guns, creating punctures and puckers where the bullets passed through."- Publisher's Weekly︎ Watch Video <img width="648" height="867" width_o="648" height_o="867" data-src="https://freight.cargo.site/t/original/i/6d9e16762e306ba5787e92fe9293374d4888b38ba3954741a3845cab39f222f4/Screen-Shot-2014-05-06-at-11.29.51-AM_o.png" data-mid="37098937" border="0" data-scale="71" src="https://freight.cargo.site/w/648/i/6d9e16762e306ba5787e92fe9293374d4888b38ba3954741a3845cab39f222f4/Screen-Shot-2014-05-06-at-11.29.51-AM_o.png" />We Thought We Were Drowning, But It Was Only Love, 2013&nbsp;Buy iBooks This interactive book presents many of the canvasses comprising Margaret Evangeline’s latest sequence of paintings: We Thought We Were Drowning, But It Was Only Love. Essays by Dominigue Nahas and Lilly Wei, as well as the artist’s own text shed light on the deep literary, philosophical and historical currents that lay beneath the surface of the paintings, leading the viewer on a rich visual journey. In a video interview filmed at her studio, Evangeline shares her early memories and the experiences which continue to influence her artistic exploration. Select Exhibition Catalogs <img width="1000" height="556" width_o="1000" height_o="556" data-src="https://freight.cargo.site/t/original/i/cf9e201c1db7d997dc0c465566ad96172e9b0a05b5cf72318d87e4725ba68773/Broad_Cover_o.jpg" data-mid="37098940" border="0" alt="Sabachthani Exhibit Catalog, Broad Museum, 2014" data-caption="Sabachthani Exhibit Catalog, Broad Museum, 2014" src="https://freight.cargo.site/w/1000/i/cf9e201c1db7d997dc0c465566ad96172e9b0a05b5cf72318d87e4725ba68773/Broad_Cover_o.jpg" /> <img width="1000" height="669" width_o="1000" height_o="669" data-src="https://freight.cargo.site/t/original/i/53abd54ce37879350c27fb86ffa62077b8f8358bb658b531c48f8546857f2354/Punctuation2003_PagesTurn_o.jpg" data-mid="37162674" border="0" alt="Holey Space Catalog, Essay By Edward Lucie Smith, 2010" data-caption="Holey Space Catalog, Essay By Edward Lucie Smith, 2010" src="https://freight.cargo.site/w/1000/i/53abd54ce37879350c27fb86ffa62077b8f8358bb658b531c48f8546857f2354/Punctuation2003_PagesTurn_o.jpg" /> <img width="1000" height="505" width_o="1000" height_o="505" data-src="https://freight.cargo.site/t/original/i/c4b1bd61aa7a1633a41652028d71d3b0c17b2a01394ba11255e96b3a1c9c26e2/Punctuation2003_InsideCover_o.jpg" data-mid="37098939" border="0" alt="Wry Material, 2003" data-caption="Wry Material, 2003" src="https://freight.cargo.site/w/1000/i/c4b1bd61aa7a1633a41652028d71d3b0c17b2a01394ba11255e96b3a1c9c26e2/Punctuation2003_InsideCover_o.jpg" /> <img width="1000" height="429" width_o="1000" height_o="429" data-src="https://freight.cargo.site/t/original/i/5bd318f385ab8dec4b2888a60f71ee6117cf6da4e3e878c4858f84a516f9cf03/Antoinette_Work1_o.jpg" data-mid="37162618" border="0" alt="Antoinette Insatiable Catalog, Essay by Frances Richard, 2001" data-caption="Antoinette Insatiable Catalog, Essay by Frances Richard, 2001" src="https://freight.cargo.site/w/1000/i/5bd318f385ab8dec4b2888a60f71ee6117cf6da4e3e878c4858f84a516f9cf03/Antoinette_Work1_o.jpg" /> <img width="1000" height="449" width_o="1000" height_o="449" data-src="https://freight.cargo.site/t/original/i/bc691981111e00da3fb36e2903b3b20d01a1100a6f6a3636e9ad94bfe169866e/EtherealMaterial_Coverfold_o.jpg" data-mid="37162569" border="0" alt="Ethereal and Material Catalog, 2000" data-caption="Ethereal and Material Catalog, 2000" src="https://freight.cargo.site/w/1000/i/bc691981111e00da3fb36e2903b3b20d01a1100a6f6a3636e9ad94bfe169866e/EtherealMaterial_Coverfold_o.jpg" /> <img width="1000" height="567" width_o="1000" height_o="567" data-src="https://freight.cargo.site/t/original/i/7c0f95017f6f053d5e1a212835d4dce22a44eac2b46020fd2eaa0a2e26bd64c7/DrawingPaper_Work_o.jpg" data-mid="37162531" border="0" alt="The Drawing Center, Drawing Paper N&ordm;10, Essay by Michael Rush, 2000" data-caption="The Drawing Center, Drawing Paper Nº10, Essay by Michael Rush, 2000" src="https://freight.cargo.site/w/1000/i/7c0f95017f6f053d5e1a212835d4dce22a44eac2b46020fd2eaa0a2e26bd64c7/DrawingPaper_Work_o.jpg" /> <img width="1000" height="454" width_o="1000" height_o="454" data-src="https://freight.cargo.site/t/original/i/3774dc9af685f6ed2ec163833f4788a078bd1cc76f585ba2ed38ca91bd3dabad/IsThisIt_Inside1_o.jpg" data-mid="37162506" border="0" alt="Is This It? Catalog, Essay by Lilly Wei, 1998" data-caption="Is This It? Catalog, Essay by Lilly Wei, 1998" src="https://freight.cargo.site/w/1000/i/3774dc9af685f6ed2ec163833f4788a078bd1cc76f585ba2ed38ca91bd3dabad/IsThisIt_Inside1_o.jpg" /> <img width="1000" height="590" width_o="1000" height_o="590" data-src="https://freight.cargo.site/t/original/i/c6e2810b996310cab3a19fd3a505302d0e6822961ee9c510f7b69f302daef53a/Camellia_Cover_InsideCover_o.jpg" data-mid="37161166" border="0" alt="Camille Catalogue, 1996" data-caption="Camille Catalogue, 1996" src="https://freight.cargo.site/w/1000/i/c6e2810b996310cab3a19fd3a505302d0e6822961ee9c510f7b69f302daef53a/Camellia_Cover_InsideCover_o.jpg" /> https://margaretevangeline.com/Press Thu, 07 Mar 2019 20:48:44 +0000 Margaret Evangeline https://margaretevangeline.com/Press Select Press <img width="568" height="756" width_o="568" height_o="756" data-src="https://freight.cargo.site/t/original/i/907fed08d6e9cd14bfb5bb83f993d258d2e0889fc902dc2ffe7f0d8be6ec736f/2002-New-York-TimesWeb_Press_o.jpg" data-mid="37098948" border="0" 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data-src="https://freight.cargo.site/t/original/i/70a7a5f6d85feecfb4d59108a06dafe10272887328094aca4e88a7cd08b3e9ed/2007-Art-In-America_Web_Press_o.jpg" data-mid="37098957" border="0" src="https://freight.cargo.site/w/1000/i/70a7a5f6d85feecfb4d59108a06dafe10272887328094aca4e88a7cd08b3e9ed/2007-Art-In-America_Web_Press_o.jpg" /> <img width="1000" height="1326" width_o="1000" height_o="1326" data-src="https://freight.cargo.site/t/original/i/d5b1dd7cf1e4313bae88238b42e9344c99dd1bcabf3f55fb232f8ef0483f5a5c/Artnews_Karmel2013_Cover_Excerpt_o.jpg" data-mid="37098966" border="0" src="https://freight.cargo.site/w/1000/i/d5b1dd7cf1e4313bae88238b42e9344c99dd1bcabf3f55fb232f8ef0483f5a5c/Artnews_Karmel2013_Cover_Excerpt_o.jpg" /> <img width="1000" height="1290" width_o="1000" height_o="1290" data-src="https://freight.cargo.site/t/original/i/c964a1c271f4b0d73fd1faa270a135cf40f6133e8536522ca797f46245b5cc5d/2013-Wall-Street-Journal_resizedWeb_Press_o.jpg" data-mid="37098965" border="0" 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data-src="https://freight.cargo.site/t/original/i/d5e83c50c31389ceb142f5f87ee4cf8a2e55c4f14235acdd7dfa65ac51ca48ec/1997-BergdorfGoodmanWeb_Press_o.jpg" data-mid="37098944" border="0" src="https://freight.cargo.site/w/623/i/d5e83c50c31389ceb142f5f87ee4cf8a2e55c4f14235acdd7dfa65ac51ca48ec/1997-BergdorfGoodmanWeb_Press_o.jpg" /> <img width="600" height="750" width_o="600" height_o="750" data-src="https://freight.cargo.site/t/original/i/1c54be2e4f3abbcd27275e1771585cca2f5dc4361dce14a10f88b57e3d05e61e/2004-New-York-TimesWeb_Press_o.jpg" data-mid="37098952" border="0" src="https://freight.cargo.site/w/600/i/1c54be2e4f3abbcd27275e1771585cca2f5dc4361dce14a10f88b57e3d05e61e/2004-New-York-TimesWeb_Press_o.jpg" /> <img width="700" height="1699" width_o="700" height_o="1699" data-src="https://freight.cargo.site/t/original/i/1586e804f265058b57e2dde0cbfc3379142d2a76e4babaad7667e16348d8a448/2010-Art-Slant-1_Web_Press_o.jpg" data-mid="37098960" border="0" src="https://freight.cargo.site/w/700/i/1586e804f265058b57e2dde0cbfc3379142d2a76e4babaad7667e16348d8a448/2010-Art-Slant-1_Web_Press_o.jpg" /> <img width="720" height="900" width_o="720" height_o="900" data-src="https://freight.cargo.site/t/original/i/f321f890e7b9a2f5e0f03cc3ee7a1b1c93c19a0024894d0bf27e0878f02be5e8/2005-House-BeautifulWeb_Press_o.jpg" data-mid="37098953" border="0" src="https://freight.cargo.site/w/720/i/f321f890e7b9a2f5e0f03cc3ee7a1b1c93c19a0024894d0bf27e0878f02be5e8/2005-House-BeautifulWeb_Press_o.jpg" /> <img width="576" height="732" width_o="576" height_o="732" data-src="https://freight.cargo.site/t/original/i/3e23f87c5bda62eb5be705005f4f801cd298bcde0c497f7edc456a850c7ec964/2000-Art-in-AmericaWeb_Press_o.jpg" data-mid="37098945" border="0" src="https://freight.cargo.site/w/576/i/3e23f87c5bda62eb5be705005f4f801cd298bcde0c497f7edc456a850c7ec964/2000-Art-in-AmericaWeb_Press_o.jpg" /> <img width="626" height="760" width_o="626" height_o="760" data-src="https://freight.cargo.site/t/original/i/2a6936c1aab63419d5639d9115cab78c7b62df5806cd0dcaf247253164ad368b/2001-GAMBITWeb_Press_o.jpg" data-mid="37098946" border="0" src="https://freight.cargo.site/w/626/i/2a6936c1aab63419d5639d9115cab78c7b62df5806cd0dcaf247253164ad368b/2001-GAMBITWeb_Press_o.jpg" /> Online Press Architectural DigestPhotographs by Elizabeth Falicella&nbsp;⟶ June 2018&nbsp; <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/c9da35a317f2c1883484e7b47b46fde380e4479d91097462da66f4e76d50e1ab/ef130918_289.jpg" data-mid="37470585" border="0" src="https://freight.cargo.site/w/640/i/c9da35a317f2c1883484e7b47b46fde380e4479d91097462da66f4e76d50e1ab/ef130918_289.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/0c60b635e58964d579a95e7e48659f7f8853db75b1ae7fead433e44eab9efa16/ef130918_217.jpg" data-mid="37470586" border="0" src="https://freight.cargo.site/w/640/i/0c60b635e58964d579a95e7e48659f7f8853db75b1ae7fead433e44eab9efa16/ef130918_217.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/6b7ccd434cd7a01bf89fc0d50ccff13be0a481108a0e3f0ac849d2ac3d423544/ef130918_125.jpg" data-mid="37470587" border="0" src="https://freight.cargo.site/w/640/i/6b7ccd434cd7a01bf89fc0d50ccff13be0a481108a0e3f0ac849d2ac3d423544/ef130918_125.jpg" /> <img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/d427ba04618e344c677461b64c63fac3b8e7817fffa46bc353b0369af682415e/ef130918_397.jpg" data-mid="37470588" border="0" src="https://freight.cargo.site/w/640/i/d427ba04618e344c677461b64c63fac3b8e7817fffa46bc353b0369af682415e/ef130918_397.jpg" /> Hartford CourantArticle by Susan Dunn ⟶ June 2018&nbsp; The New Orleans Advocate &nbsp;Article by John D’Addario&nbsp;⟶ March 2018 Huffington Post Article by Jacqueline Bishop&nbsp;⟶April 2016. <img width="1500" height="1941" width_o="1500" height_o="1941" data-src="https://freight.cargo.site/t/original/i/be9f3a58b8dc2b2ba1c9c690ecf01faccb9dbb432e7cee30e1c180c91a33b8fc/Huffpo1.jpg" data-mid="37473129" border="0" src="https://freight.cargo.site/w/1000/i/be9f3a58b8dc2b2ba1c9c690ecf01faccb9dbb432e7cee30e1c180c91a33b8fc/Huffpo1.jpg" /> <img width="1500" height="1941" width_o="1500" height_o="1941" data-src="https://freight.cargo.site/t/original/i/94d1ff5d14000565c4cab67695324e229d12b7fe6d0297f1f557403168fe23a4/Huffpo2.jpg" data-mid="37473130" border="0" src="https://freight.cargo.site/w/1000/i/94d1ff5d14000565c4cab67695324e229d12b7fe6d0297f1f557403168fe23a4/Huffpo2.jpg" /> <img width="1500" height="1941" width_o="1500" height_o="1941" data-src="https://freight.cargo.site/t/original/i/988359661e4baeed86a42515925c4b4c6a3e273675a21be0d34cb7ad835f8a54/Huffpo3.jpg" data-mid="37473131" border="0" 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data-src="https://freight.cargo.site/t/original/i/bb3a524d6f56cd5ef9219193e78edae86a92634528cc47406a8a675fe67438ba/5bb2a077210000e700c78e1a.jpeg" data-mid="37472628" border="0" src="https://freight.cargo.site/w/660/i/bb3a524d6f56cd5ef9219193e78edae86a92634528cc47406a8a675fe67438ba/5bb2a077210000e700c78e1a.jpeg" /> <img width="776" height="564" width_o="776" height_o="564" data-src="https://freight.cargo.site/t/original/i/84e94b5a676e0b704348984beede9eef5c6bb4e353ca83b838b99be032a2894d/5bb2a077260000cf0081e38f.jpeg" data-mid="37472629" border="0" src="https://freight.cargo.site/w/776/i/84e94b5a676e0b704348984beede9eef5c6bb4e353ca83b838b99be032a2894d/5bb2a077260000cf0081e38f.jpeg" /> <img width="670" height="487" width_o="670" height_o="487" data-src="https://freight.cargo.site/t/original/i/db1704286ad7232faf9b69175e6cd5be5f0341c2881cf7148572347eb2fb948f/5bb2a0772500003600387d7b.jpeg" data-mid="37472630" border="0" 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NOLA.com Article by Chelsea Brasted&nbsp;⟶March 2015. Country Roads Article by Katie Pfohl&nbsp;⟶February 2015. Art &amp; Antiques Weekly Exhibit Review&nbsp;⟶ January 2014. ARTnews Article by Pepe Karmel&nbsp;⟶ May 2013. The Brooklyn Rail Book Review&nbsp;⟶ March 2012. International Sculpture Center Book Review&nbsp;⟶October 2011. D.A.P. Catalog p. 148&nbsp;⟶ Fall 2011. Charta Catalog&nbsp;⟶ 2011. Art Slant Magazine Review by Koan Jeff Baysa, M.D.&nbsp;⟶January, 2010. Television &amp; Video <img width="183" height="104" width_o="183" height_o="104" data-src="https://freight.cargo.site/t/original/i/12b37109a4963799b8c768c39f2a679edf3d975c4ea4cc8860394274569a0174/BBC_Television-Video-Thumbnail_o.jpg" data-mid="37098974" border="0" src="https://freight.cargo.site/w/183/i/12b37109a4963799b8c768c39f2a679edf3d975c4ea4cc8860394274569a0174/BBC_Television-Video-Thumbnail_o.jpg" /> BBC Interview&nbsp;⟶2008 <img width="183" height="104" width_o="183" height_o="104" data-src="https://freight.cargo.site/t/original/i/c12a49e069ecbff572bef82f5c5aa5df29b476481ff2e0e4e7f518d7c37821ba/ArtIndex_Television-Video-Thumbnail_o.jpg" data-mid="37098973" border="0" src="https://freight.cargo.site/w/183/i/c12a49e069ecbff572bef82f5c5aa5df29b476481ff2e0e4e7f518d7c37821ba/ArtIndex_Television-Video-Thumbnail_o.jpg" /> Art Index TV Interview&nbsp;⟶ 2012.<img width="183" height="104" width_o="183" height_o="104" data-src="https://freight.cargo.site/t/original/i/31fa94c8665c2e9f22fed63af42f0bce44fe4ec29ebfc76ad9915d2920505fa4/Made-In-NOLA-1.jpg" data-mid="37098976" border="0" src="https://freight.cargo.site/w/183/i/31fa94c8665c2e9f22fed63af42f0bce44fe4ec29ebfc76ad9915d2920505fa4/Made-In-NOLA-1.jpg" /> Made in New Orleans Feature&nbsp;⟶2014 <img width="183" height="104" width_o="183" height_o="104" data-src="https://freight.cargo.site/t/original/i/23a17be6f9267963e23ecc6ff9786b25a165b50af224730955635aaaba7a7c68/Made-In-NOLA-2.jpg" data-mid="37098977" border="0" src="https://freight.cargo.site/w/183/i/23a17be6f9267963e23ecc6ff9786b25a165b50af224730955635aaaba7a7c68/Made-In-NOLA-2.jpg" /> Made in New Orleans Full Interview&nbsp;⟶2014 <img width="1500" height="1941" width_o="1500" height_o="1941" data-src="https://freight.cargo.site/t/original/i/94d1ff5d14000565c4cab67695324e229d12b7fe6d0297f1f557403168fe23a4/Huffpo2.jpg" data-mid="37473130" border="0" src="https://freight.cargo.site/w/1000/i/94d1ff5d14000565c4cab67695324e229d12b7fe6d0297f1f557403168fe23a4/Huffpo2.jpg" /><img width="1500" height="1941" width_o="1500" height_o="1941" data-src="https://freight.cargo.site/t/original/i/988359661e4baeed86a42515925c4b4c6a3e273675a21be0d34cb7ad835f8a54/Huffpo3.jpg" data-mid="37473131" border="0" src="https://freight.cargo.site/w/1000/i/988359661e4baeed86a42515925c4b4c6a3e273675a21be0d34cb7ad835f8a54/Huffpo3.jpg" />